Instantly, 3 Legged Thing’s HUGH is a little different from what the company has produced before, and with its three leg sections and dual tubes at the top, you get extra torsional rigidity. Sure enough, as I popped on the Sony A7 IV and started to pan and tilt the camera, you could really feel that 3 Legged Thing’s engineering and manufacturing focus on quality.
The movement is nice and smooth, and what this highlights is that even though this is a relatively small and lightweight video tripod. That spreader and this new construction style that 3 Legged Thing has started to pursue for its video-tripod line are really making a difference, especially from a more traditional video shooter’s standpoint.
There are video or stills tripods that are exceptionally good, and many other manufacturers are going through that transition to a more stills-style, three-single-tube-legged design, which is a great option for many content creators. But I think, as more and more content creators have set up YouTube and other social media channels over the last few years, what is apparent is that as they start to get to the point of wanting more professional video, more stable support is needed, and this is exactly where the HUGH comes in.

The thumb trap if your not paying attention
First of all, the torsional rigidity is superb, and with the rubber feet you can screw them down to reveal the steel spikes. It really helps reduce vibration. There’s plenty of adjustment on the AirHed Motion head as well, so that you can essentially get faster or slower pans, and the tilt stability through the head is exceptionally good. It doesn’t take long to balance the weight of your camera so you can get some really good vertical pans.
As this is a more video-centric tripod, finding level ground is essential. Essentially, you need that full pan on a level, and this is where the ball head comes in. With the 75mm option, even with the slightly larger Canon EOS R5 C mounted, it felt really beautifully balanced, even with the SmallRig attached. I’ve actually got rid of my FS7 because it feels a little restrictive compared with the quality I’m now getting out of the A7 IV. There’s just no need to have both.
So whilst this is a smaller video tripod, it works with most camcorders and cameras used across the board by content creators, and with the 75mm bowl it makes it exceptionally easy to level out.

Rubber feet
Another thing I really like is the twist leg locks. These are like rotary dials and only require about a 90° turn to unlock and then lock, making it easy to unlock all three quickly, adjust the tripod height, then relock and level with the bowl in the middle, exactly what you want from this style of tripod. Then, if you do want a little extra height, there are further extensions on the bottom of the legs, which will take you to a very decent height, just above full height for me.
One of the big differences between this and a stills tripod is the leg brace, or spreader, which sits just below the top section of the legs and can be fully adjusted, with measurement markings so you can set each leg to the same distance apart. It’s made of plastic with anodised orange adjusters, but it feels like decent quality. Like many spreaders of its type, it just does the job. It’s nothing to write home about, but it feels good, solid, and well made, and on a small video tripod like this, it sits perfectly neatly within the design.
Now, one thing that I do really like about all 3 Legged Thing tripods is that they come with a really good, high-quality carry bag, and this does make a difference because if you buy a video tripod from some of the other major manufacturers, you then have to buy the bag on top, and this is normally going to set you back £50–£100. So getting one in the bundle, and for it to be such high quality, really is a bonus.
I’ve been testing this tripod for about two months in total now and on a few major projects, initially just for my B camera, but then actually swapping it over to the A camera for the one reason that it was lightweight yet stable enough to get some really decent pans in, and was easy to move around. I also like the AirHed Motion, and it all looks a lot more serious than some of their previous stills tripods which, whilst the bright colours are really nice, can sometimes distract others from the work you’re supposed to be doing. Sometimes you just don’t want pure aesthetics because they draw too much attention to themselves.

It has measurements so you know what distance it is
The build and speed of adjustment are excellent, and used with the AirHed Motion, I’ve found it a really good lightweight setup. In many cases, I’ve started using it as one of my main tripods. My one small issue with it is the tilt lock. It’s very close to the tilt-release dial and, on occasion, you can just get your thumb slightly caught. You do it a few times, and you learn, but then you go to use another tripod, then back to this one, and it happens again. But it’s just something I’ll get used to.