I’ve used the Lensbaby Sweet optics on many occasions in the Composer Pro II or Spark 2.0, and it took me a while to get used to the fact that the sweet spot with the Sweet 22 can’t be shifted away from the centre of the frame. It means that the main subject needs to be at or close to the centre of the image, so you may have to rethink your composition a little. Given the simplicity of using the Lensbaby Sweet 22, that’s not a drama and before long you’re thinking in-tune with the lens.
Aided by the magnified view and focus peaking that’s available on modern mirrorless lenses, you can focus the Sweet 22 very quickly. The sharp areas look good, but don’t pixel-peep expecting the same level of sharpness that you get from a top-flight lens. The Lensbaby Sweet 22 is a creative lens designed to produce something a little different.
The results look particularly good when there are highlights towards the edges of the frame because they are stretched towards the corners, giving an almost zoom-burst effect that adds impact and draw attention to your subject.
The stretched bokeh effect can inject impact to images. This was shot on the Sony A7R IV