- Comfortable handgrip to capture videos
- Push button locking mechanism for easy set up
- Lightweight, intuitive to use and easy to carry
- Attractive Italian design
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Viltrox brings four Air lenses to L-mount — and adds two fast f/1.2 APS-C primes
L-mount has been the poor relation for third-party autofocus glass, and Viltrox is doing something about it. At IBC 2026 the company unveiled four new full-frame autofocus lenses for the mount — the AF 14mm F4.0, AF 20mm F2.8, AF…
Canon Speedlite EL-5 (Ver.2) adds the Multi-Function Foot
Alongside the EOS R8 Mark II, Canon's announced a second version of its Speedlite EL-5. If you've been waiting for the EL-5 to gain the newer Multi-Function Foot so it talks to Canon's latest bodies properly, this is the update…
Canon EOS R8 Mark II vs EOS R8: should you upgrade?
The Canon EOS R8 Mark II is here, and the obvious question if you already own the original is whether Canon's changed enough to make upgrading worthwhile. Answering it means looking past resolution. Both cameras use a 24.2MP full-frame CMOS…
Canon’s Dual Pixel 3D turns a single photo into a 3D model
Alongside the EOS R8 Mark II, Canon has announced something quieter but arguably more interesting: Dual Pixel 3D, a technology that turns a single ordinary photograph into a three-dimensional image or an editable 3D model — no special rig, no…
Canon EOS R8 Mark II price, specifications and availability announced
Canon has announced the EOS R8 Mark II, and it fixes the two things everyone wished the original R8 had: in-body stabilisation and a second control dial's worth of proper handling. It keeps the thing that made the R8 special…
Sony’s RM-DP7 and RM-DP5 turn a monitor into a Cinema Line camera controller
Sony has announced two devices that answer a question its FX cameras have quietly been posing for a while: if the camera's key controls now live on a single home screen, why not put that screen where the operator actually…
Sony launches lightweight 400mm and 600mm GM lenses
Sony has announced two remarkably lightweight super-telephoto primes for its full-frame E-mount system, the FE 400mm F4.5 GM OSS and FE 600mm F6.3 GM OSS, with both lenses weighing less than 1kg. For me, that weight is the headline here.…
Sirui’s Saturn V2 anamorphic lenses rotate 90 degrees for vertical video
Anamorphic lenses and vertical video have always been fundamentally at odds. The whole point of an anamorphic is that it squeezes a wide image onto the sensor to be stretched back out into a cinematic widescreen frame — which is…