The Buyers guide to...Best cameras for live streaming

Is the GoPro Hero11 Black – and don’t discount the Hero8 or Hero9 Black either – the best camera for live streaming? In some ways you can make the case.

It doesn’t boast the full-frame sensor that other live-streaming cameras on this list provide, but everyone who has used a Hero Black camera can attest not only to its image quality, but its convenience.

The GoPro Hero11 Black is not much bigger than the cheap plug-and-play options you might buy, but its image quality is out of this world. This is thanks to a larger sensor that was introduced in this iteration and the powerful GP2 chip that was added in the Hero10 Black (see below).

Using a hotspot on your phone with the GoPro app and GoPro’s superb HyperSmooth stabilisation (and the Hero11’s new Horizon Lock), you can vlog from anywhere, even walking down the street.

Check out our tutorial on how to set up your GoPro for live streaming.

Read our GoPro Hero11 Black Review

While internal electronics are never the most exciting of upgrades, the performance they bring often is. GoPro’s big addition to the Hero10 Black was its powerful GP2 processor, delivering more power and a major boost to framerate options, HyperSmooth 4.0, Auto file uploads, more Mods and upgrades.

In many ways, the GoPro Hero10 Black is a refinement of the Hero9. In addition to the major power boost the GP2 chip brings to to all of the camera’s features, there are also a lot of tweaks and tools to help you improve your image and video quality.

For instance, GoPro helped to tackle bad low light video with a new 3D Noise Reduction, while new local tone mapping improves the subtle detail of the video content, enriching subjects and their surroundings. Live webstream has also been streamlined with more features, compatibility and ease of use.

Though it’s now been superceded by the Hero11 Black, the GoPro Hero10 Black is still a formidable option and one of the best action cameras on the market. With every release, GoPro manages to find a way to refine its market-leading product.

Read our GoPro Hero10 Black Review

There’s a lot to love about this little camera. Firstly, the PowerShot G7 X Mark III is capable of shooting 4K video 3840 x 2160 at 29.97 / 25fps without cropping. In addition, it can shoot Full HD (1920 x 1080) footage at 119.9 / 100 / 59.94 / 50 / 29 .97 / 25 fps. Those upper frame rates make high-quality slow-motion video possible.

And in an unusual move, there’s an option to shoot movies with a vertical movie aspect.

Crucially, there’s also a 3.5mm mic port. I could see this being used to connect a Rode Wireless Go for cable-free audio recording.

The clincher, however, is that the Canon PowerShot G7 X Mark III is able to live-stream video. That’s big news. Instead of having to shoot on your phone or use a complex set-up, you can shoot directly to Youtube using a dedicated camera.

There’s also a clean HDMI output should you want it.

Read our Canon PowerShot G7 X Mark III Review

The Canon EOS M50 Mark II is a replacement to the original EOS M50, which adds the ability to stream live to a YouTube channel via a computer or smartphone with an internet connection, as well as the option to shoot vertical video.

Another upgrade is that the M50 II’s Eye AF works when shooting video or stills.

In our tests, the EOS M50 Mark II produces high-quality footage. The colours and exposure match the quality of its stills, and its contrast-detection focusing also performs well.

Like its predecessor, the Canon M50 Mark II is an attractively-sized, well-sculpted camera with a good-quality sensor, a responsive vari-angle touchscreen, a decent electronic viewfinder and a very-capable autofocus system.

Read our Canon EOS M50 Mark II Review

Yes, we know the A7 III has been replaced by the Sony A7 IV, but the A7 III – while one of the most expensive options on this list of the best cameras for live streaming – remains an excellent camera and is more affordable than its successor. As Sony’s all-rounder in its A7 series of cameras, it offers a wealth of video capabilities, superb dynamic range and can perform very well in low light. And the ability to stream in up to UHD 4K resolution at 30fps can really transform your live stream footage.

Though it’s billed as Sony’s all-rounder, the A7 III’s video specs are pretty solid. When the camera is set to record 4K video it uses full pixel readout without pixel binning. This means it gathers around 2.4x as much data as is needed for 4K movies. It then oversamples the files to produce 4K footage with better depth and dynamic range.

There’s also S-Log2 and S-Log3 available for recording flat footage ready for grading, and a Hybrid Log-Gamma (HLG) picture profile is provided for displaying video direct from the camera on HDR (HLG) compatible televisions.

There’s also a Zebra display, Gamma Display assist and proxy recording.

In addition, Full HD footage can be recorded at up to 120/100p (NTSC/PAL) for slow-motion playback.

Read our Sony A7 III Review

As well as stills the GH5 is designed to shoot 4K video and it has an extensive range of features to give it appeal to professional videographers. Aspects such as the variable frame rates and 10-bit recording will be of particular interest along with the ability to add V-LogL recording via an optional software key.

The GH5 offers videographers the kind of specification and video quality that is normally only made possible by a much larger, more expensive cinematic camera. It’s even possible to connect XLR mic via an optional adaptor.

In addition to the extensive range of video quality, format and frame rate options, the GH5 has a high-quality viewfinder, excellent vari-angle touch-screen and both 4K Photo and 6K Photo mode to simplify capturing fleeting moments. It’s also dust and weatherproof so you can use it without concern outdoors.

What’s more, Panasonic has shown real commitment to this camera. The company has continually issued new firmware releases that add relevant new technology. In particular, firmware version 2.0 added:

• 4K 4:2:2 10-bit 400Mbps ALL-Intra
• FHD 4:2:2 10-bit 200Mbps ALL-Intra
• 4K HDR video in Hybrid Log Gamma
• 6K anamorphic mode
• 4K anamorphic 4:2:2 10-bit 400Mbps ALL-Intra
• De-squeeze assist viewing mode
• Improved AF and IS in video modes

Find the best deals on the Panasonic GH5 and accessories at Amazon UK and Amazon US.

Read our Panasonic GH5 review

A successor to the ONE, the Insta360 ONE X shoots 4K at 50fps and 3K at 100fps in addition to its 5.7K 30fps footage. It can also record 18-megapixel still images.

Last year Insta360 debuted its new FlowState stabilisation technology, and in the ONE X this gets a total revamp so that it can analyse movement in all directions and stabilise your videos without the need of external accessories.

There’s also a new TimeShift feature, which allows users to adjust the speed of different parts of a video, including cinematic slow-motion to emphasise key moments.

TimeShift also allows you to frame your shot in any direction within your spherical video footage. The ONE X’s editing app also allows users to re-frame footage from any vantage point. The app also promises to remove your selfie stick from footage, giving the impression that the ONE X is floating in mid-air.

Other features include a Bullet Time shot, inherited from the ONE, in which the camera captures footage from an orbiting perspective.

There’s also a new Drifter camera dart accessory in which you can snap the ONE X and throw it to capture airborne slow-motion footage Insta360 calls Drift Shots.

For its modest price tag, the Insta360 ONE X packs a lot of spec and functionality and is arguably one of the best 360 cameras you can buy today.

• Read our full Insta360 ONE X review

Videographers will also be impressed by the A6400’s sterling video capabilities. For instance, it can shoot 4K (3840 x 2160 at up to 100Mbps) video in super 35mm format with full pixel readout and no pixel binning. This means there’s oversampling and around 2.4x as much data is gathered than is needed for the final video.

There’s also a choice of XAVC S (MPEG-4 AVC/H.264) or AVCHD (MPEG-4 AVC/H.264) format. In addition, 4K HDR (HLG) recording is available for playback on compatible televisions and S-log3 and S-log2 gamma modes are provided to give greater scope for post-capture grading.

The S-Log gamma curves enable you to capture up to 1300% wider dynamic range than is normally possible. The result is very dull, flat looking footage, but after grading to introduce some contrast, you are left with videos that have both highlight and shadows detail. The S-Log3 setting also gives up to 14Ev latitude.

While there’s a 3.5mm port to connect an external mic, headphones can only be attached via the optional hotshoe adapter. However, using the adapter blocks the view of the screen when it’s tipped up.

What’s more, truly impressive innovations in AF technology make the Sony A6400 one of the best live streaming cameras you can buy today.

One of the most inexpensive options on our list of the best cameras for live streaming, the Canon EOS Rebel SL3 / EOS 250D offers a smaller sensor but also a portable body in a lightweight design.

You’ll also benefit from a long battery life – one of the longest of all the live-streaming cameras on this list – as well as Bluetooth.

And let’s not forget that the EOS 250D / Rebel SL3 can shoot 4K video. When you consider its relatively low price tag it seems like a compelling option for live stream vloggers.

Read our Canon EOS Rebel SL3 / EOS 250D Review