The Buyers guide to...Best gimbal stabilizer for DSLR or mirrorless cameras

In just a short amount of time, DJI has evolved its original single-handed gimbal stabiliser, packing it with advanced technology in a small, comfortable form factor. The Ronin RS3 Pro provides solid support for all mirrorless and DSLR cameras and is fast to react to your movements, with plenty of onboard adjustments and features.

What really opens up the gimbal’s creative possibilities, though is its flexibility to attach myriad accessories. There’s also compatibility with the LIDAR AF system that makes the Ronin RS3 Pro more than just a small gimbal, but rather a complete filming rig for those using manual focus cine lenses.

It is more expensive than its rivals, and some of its best accessories are equally expensive, but as it stands now looking at the market, the DJI Ronin RS3 Pro is the best gimbal stabiliser for both amateurs and small production companies alike.

There isn’t a whole lot of change in gimbals from generation to generation. Most of the improvements come in the interior technology. But the WeeBill 3 enhances the abilities of the WeeBill 2 with a new design and ergonomics that vastly enhance comfort, making the user experience of this lightweight, yet powerful, single-handed gimbal stabiliser even better.

As well as the streamlined design, the WeeBill 3 is fast to react and offers plenty of features to help you both shoot stills or even produce motion video effects that you can access through the ZY Play App.

The third iteration does lose the screen and returns to a mono display, but this isn’t a huge loss in practice. The ergonomic changes ore than make up for it, as this is one of the most comfortable gimbal stabilisers to use with any camera.

The Zhiyun Crane M2 S can support a smallish mirrorless camera, but this is really its tipping point for balancing weight. That said, in our test we found it was powerful enough to hold a Sony A7 III with a 35mm f/1.4 lens, and this setup is pretty comparable to most mirrorless cameras people are using these days. So on that basis, we’re including it here in our list of best gimbal stabilisers for DSLR and mirrorless cameras.

Its diminutive size means it is lightweight and quite comfortable to hold for long periods. At just under £300, it won’t break the bank and has enough features for even serious filmmakers to work with.

At this price, we really like the M2 S a lot. It’s worth every penny for what it does, and despite its lower max payload, the build quality is solid and offers plenty of flexibility. The £100 difference between the budget Zhiyun Smooth 5, Zhiyun M2 S and the M3 might seem small to professionals, but that monetary leap is huge for many up and coming filmmakers. To have the choice of this quality gimbal at these price increments is just fantastic.

There are little if any design similarities between the new DJI RS 2 and the Ronin-S. The metal arms have all been replaced by a Carbon Fibre monocoque design, and every other element from the joystick, mounting points, focus wheel and grip have been improved and enhanced.

This is not an update with a few tweaks to the Ronin-S design; this is a complete reworking. The most significant update aside from the dramatic design change is the payload which has increased from 3.6kg to 4.5kg. It’s also lighter than the Ronin-S coming in at 1kg 0.81kg lighter.

That’s not all it is also smaller, which has been made possible by the advances in technology. The new RS 2 measures in at 410 x 260 x 195mm including the grip but without the extension, grip added.

The design also sees a huge series of additions, including a 1.4-inch full-colour LCD touchscreen; this enables you to flick through options and settings quickly.

Another big change is the addition of professional RSA/NATO ports that enable the new RS 2 to be incorporated into larger, more complex rigs or control systems.

For those of us not working on multi-million dollar productions, it’s good to see that there are still more common ports and connections including 1/4-inch mounting hold and cold shoe mount.

As with the previous Ronin-S, there are several possibilities for wired connections; these include Video transmission/follow focus motor port (USB-C), RSS camera control port (USB-C) and Follow Focus motor port (USB-C). As all of these ports are USB-C, so I was glad to see that DJI has marked which port is which.

As before the operating time in ideal conditions is 12 hours, and a BG30-1950mAh 15.4 LiPo 4S is used to power the RS 2. This has a charging time of 1.5h, which isn’t at all bad.

As ever the RS 2 offers a Bluetooth connection between the gimbal and the Ronin App available for both iOS and Android devices. This Bluetooth connection utilises the latest Bluetooth 5.0 technology.

The maximum controlled rotation remains the same as the Ronin-S at 360º through all axis. There is some change with the mechanical endpoints with the tilt axis changing from: Ronin-S 205° to – 115°, RS 2 -112° to +214° and Roll; Ronin-S 230° to – 90°, RS 2 -95° to +240°.

Read our DJI RS 2 Review

Like the M2 S above, the Crane M3 is at its best with an action camera or smartphone mounted, but we used the gimbal with a Sony A7 III in our test, and it performed admirably. But this is probably its upper limit of weight that it can balance. But with mirrorless cameras getting smaller and smaller each year, the Crane M3 remains a solid option for many photographers.

We love it because of its size and weight, but also because it’s easy to set up and use. And with its feature set, it’s a great option for those who are just getting into filmmaking. Performance-wise the power of the motors is impressive, smoothing out the usual wobble associated with handheld footage. It’s also incredibly easy to use with the direct controls on the handgrip.

Aimed at DSLR and mirrorless camera users, the Moza Air 2 from Gudsen is quite possibly the most underrated stabilizer on the market today. Priced well below the DJI Ronin-S but offering very comparable features, the Moza Air 2 offers a slew of nice design touches, such as easy access to your camera’s direct controls, to customisable buttons and wheels for different functions.

Gudsen really has thought through most eventualities in the Moza Air 2 design. As we mentioned, the tilt and roll axes bars are angled as such that you can access your camera’s controls quite easily. You also get an extra baseplate in the case that allows you to give your camera some extra height if it’s too diminutive to be able to balance. The joystick on the controller also makes it very easy to use.

Build quality is very solid, and – most importantly – the gimbal is very easy to balance your camera on. The Moza Air 2 might be the best balance of value for money on our list of the best gimbal stabilizers for your camera.

• Click here to get the Moza Air 2 direct from Gudsen

Read our Gudsen Moza Air 2 review

Single-handed motorised stabiliser gimbals seem to be coming thick and fast and it’s no surprise once you see how they can transform your footage. The Benro RedDog R1 is one of the most impressive yet, being lightweight, relatively inexpensive and packed with features.

There’s a lot to like from the outset. Strip away the cardboard packaging and a semi-hard transport case is revealed. Inside neatly laid out is the gimbal itself, bar a charge and balance all set and ready to use.

The design isn’t as finessed as the likes of the DJI Ronin-S, but then this is a far lighter weight product so doesn’t need the muscle. It’s designed for Mirrorless cameras, unlike the Ronin-S which can hold more than most owners.

Read our Benro RedDog R1 Review

It’s a gimbal stabiliser like the Ronin-S just smaller, lighter and more agile. It’s similar to it’s larger sibling with design tweaks and a lighter payload designed for the mirrorless generation.

What makes the Ronin-SC stand out, however, is not the size or weight: it’s the power of the app that comes with it. This transforms the stabiliser from a filming rig to a stills rig with ease, enabling you to capture shots that would otherwise be impossible.

If you don’t already own the Ronin-S then the Ronin-SC is an excellent mirrorless solution, if you do own the Ronin-S, then this is just a lighter weight version that easier to travel with.

Read our DJI Ronin-SC review

DJI’s three-axis gimbal was one of the most anticipated camera accessories of 2018, and it comes loaded with features. Smooth fluid footage is just part of the story. A joystick on the handle let you to change the camera position to help frame your shot. Dedicated buttons enable you to toggle between SmoothTrack profiles or to begin and stop recording.

There’s also a Focus Wheel, which you can mount on either side of the Ronin’s handle. Battery life will give you 12 hours on a single charge.

Features such as the new Push Mode lets you adjust the pan, tilt and roll axis by hand. There’s also an Auto-Tune function that monitors the motors changing the strength and speed as needed, all helping to speed up set-up.

The Ronin-S also has a companion mobile app that further enhances the gimbal’s features. These include advanced camera moves such as Panorama, Motion lapsed, Timelapse and Track.

• Read our DJI Ronin-S review

Read our DJI Ronin-S review