On unfolding the Charles 2.0, you’re instantly met with a sense of robustness and dependability from the design. This tripod feels sturdy and is beautifully finished, constructed from a durable magnesium alloy that serves its purpose, ensuring stability and rigidity, even when extended to its full height.
One of the unique selling points of the tripod is the ability to convert one or all legs into monopods or mic booms; through the test, this proved to be particularly advantageous, especially when filming. Firstly the monopod adaption could supply the camera with a little support and freedom of movement, while another leg was fitted with a mic and was used as a boom. The leg’s reach is ample for most close camera work and was coupled with a 50mm lens on a full-frame camera. However, a word of caution: extra care is needed to ensure the detachable legs remain securely attached during use.
Over the years, 3LT has adapted the rubber grip used on the twist lock legs, and by a long way, this is the best and probably the most simple design yet. It feels tactile, grips well and isn’t overly designed or fancy. These large twist grip leg locks held up exceptionally well under regular use, proving reliable and robust. Their generous size provided excellent grip and ease of adjustment across various weather conditions, demonstrating their suitability for outdoor shoots.
The AirHed Pro ball head, included in the kit, showed itself to be a compact powerhouse, effortlessly supporting a load of up to 4kg during testing. Its lack of friction control requires careful handling of heavy equipment. Still, with some practice, it offers a smooth and intuitive operation and is far simpler to use than multi-knobbed alternatives.
The Charles 2.0 exceeded expectations in its performance, effectively doing what it’s designed to do and more. As a standard tripod, it provides the firm, solid base you want, and its full height reach is very welcome. The additional weight over a carbon tripod is only noticeable when you stand there weighing it up; otherwise, strapped to the back of your backpack, you’re unlikely to notice much difference. Used to shoot long exposures, and that additional weight and rigidity come into play.
Beyond the standard feature, the detachable legs are useful; ensure they’re fully tightened when you re-attach. The tabletop tripod conversion takes a bit of dismantling but works as it should, and used as a mic boom is equally straightforward.