The Fuji X-T3 has been one of the most popular cameras since its launch. While its predecessor, the X-T2, received overwhelming praise for its image quality and handling, some felt it lacked the video specifications they wanted. But with the X-T3, Fujifilm has presented a significant upgrade and an impressive arsenal of video specs, combined with that superb performance and a price tag in the region of £1,300/$1,300.
It’s one of our favourite cameras of the past year, and if you’re looking for the best Fujifilm X-T3 deals online, you’ll want to bookmark this page!
We’re constantly on the lookout for new deals – and know most of the retailers – so when a new Fuji X-T3 offer hits the market, rest assured you’ll find it here. But first…
Why buy the Fujifilm X-T3
- Price: £1,300 / $1,499
- Well-implemented traditional controls
- High-quality, attractive images
- Fast, accurate focusing in good light
- 4K video at 60fps
|Model Name||FUJIFILM X-T3|
|Pixel Count||26.1 million effective pixels|
|Image sensor||23.5mmx15.6mm (APS-C) X-Trans CMOS 4 with primary colour filter|
|Storage media||SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB) nUHS-I / UHS-II nVideo Speed Class V90|
|File format||Still image JPEG, RAW: 14bit RAW(RAF original format), RAW+JPEG|
|Number of recorded pixels||L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080|
|Lens mount||FUJIFILM X mount|
|Sensitivity||AUTO1 / AUTO2 / AUTO3 (up to ISO12800)nISO160 to 12800(1/3 step)nExtended output sensitivity: ISO80 /100 /125 / 25600 / 51200|
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||Program, Aperture Priority, Shutter Speed Priority, Manual Exposure|
|Exposure compensation||Stills: -5/+5EV in 1/3EV stepsnMovies: -2/+2EV|
|Image Stabilizer||Supported with OIS type lenses|
|Shutter type||Focal Plane Shutter|
|Shutter speed||Mechanical Shutter: P mode: 4sec. to 1/8000sec. nA mode: 30sec. to 1/8000sec. nS/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.nElectronic Shutter: nP mode: 4sec. to 1/32000sec. nA mode: 30sec. to 1/32000sec. nS/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed Electronic front curtain shutter:nP mode: 4sec. to 1/8000sec. nA mode: 30sec. to 1/8000sec. nS/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.nMechanical + Electronic shutter:nP mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.nE-front + Mechanical shutternP mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.n*Electronic front curtain shutter works until 1/2000sec.nE-front + Mechanical + Electronic shutternP mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.n*Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.nMovienFHD: 1/8000sec.-1/4sec.nDCI4K/4K: 1/8000sec.-1/24sec. (depends on the frame rate)nSynchronized shutter speed for flashn1/250sec. or slower|
|Continuous shooting||Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG 60 frames Lossless compression RAW 35 frames Uncompressed RAW 33 frames)Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG 114 frames Lossless compression RAW 37 frames Uncompressed RAW 34 frames)nApprox. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEGuff1a 500 frames Lossless compression RAW 48 frames Uncompressed RAW 39 frames) Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames)nApprox. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames) Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 49 frames Uncompressed RAW: 39 frames) Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames) Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames) Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 37 frames after full press, total max. 57 frames) Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 300 frames after full press, total max. 310 frames) Recordable frames depends on recording median Speed of continuous shooting depends on shooting environment and shooting frames|
|Auto bracketing||AE Bracketing nFilm Simulation Bracketing nDynamic Range Bracketing (100%, 200%, 400%)nISO sensitivity Bracketing nWhite Balance Bracketing nFocus Bracketing|
|Focus||Mode Single AF / Continuous AF / MF nType Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)nAF Frame selection Single point AF: EVF / LCD: 13x9 / 25x17 (Changeable size of AF frame)nZone AF: 3x3, 5x5, 7x7 from 91 areas on 13x9 gridnWide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking All|
|White balance||Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting : Interval, Number of shots, Starting time)|
|Flash modes||SYNC. MODE 1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (excl. EF-X8)nFLASH MODE TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When EF-X8 is set)nTTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)|
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.5 inch approx. 3.69 millions dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 23mm (from the eyepiece lens) Diopter adjustment: -4-+2m-1u00a0(lockable) Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1 Diagonal angle of view: approx. 38degrees (Horizontal angle of view: approx. 30 degrees)nBuilt-in eye sensor|
|LCD monitor||3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen colour LCD monitor (approx. 100% coverage)|
|Movie recording||File formatnMOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)nMovie compression All Intra/Long-GOP nFile size / Frame rate / Recording timen[DCI 4K(4096x2160)]n59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps n59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30minn[4K(3840x2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min n[Full HD(1920x1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30minn[Full HD(1920x1080)] 9.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.n[Full HD(1920x1080) High speed rec.] 120p/100p 200Mbps(recording) up to approx. 6min.nFor recording movies, use a SD memory card with UHS Speed Class 3 or higher.nFor recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.nRecording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98pnDCI4K 59.94p/50p is not available when H.264 is selected.Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage will be recorded to a separate file which must be viewed separately.|
|Film Simulation mode||16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema)nB & W Adjustment: -9-+9|
|Grain effect||STRONG, WEAK, OFF|
|Color chrome effect||STRONG, WEAK, OFF|
|Dynamic range setting||AUTO, 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)|
|Advanced filter||Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)|
|Wireless transmitter||Standard IEEE 802.11b / g / n (standard wireless protocol) Encryption WEP / WPA / WPA2 mixed mode Access mode nInfrastructure|
|Bluetooth||Standard Bluetooth Ver. 4.2 (Bluetooth low energy) nOperating frequency [Center frequency] 2402 - 2480MHz|
|Terminal||Digital interface USB Type-C (USB3.1 Gen1), HDMI output HDMI micro connector (Type D), Others 3.5mm, stereo mini connector (Microphone) / 3.5mm, stereo mini connector (headphone) / 2.5mm, Remote Release ConnectornHot shoe, Synchronised terminal|
|Power supply||NP-W126S Li-ion battery (included) Battery life for still images Approx. 390 frames (NORMAL MODE) When XF35mmF1.4 R is setnActual battery life of movie capture Face detection is set to OFF [4K] approx. 40min.|
|Dimensions||132.5mm (W) x 92.8mm (H) x 58.8mm (D) (minimum depth 35.4mm)|
|Weight||Approx. 539g (including battery and SD memory card) Approx. 489g (excluding battery and SD memory card)|
Rest assured that everything that everyone loves about the Fujifilm X-T2 is still here in the X-T3, if not made better! The X-T2 was immensely popular for Fujifilm, so there was going to be no messing around. Let’s start with the X-T3’s new 26-megapixel sensor.
While the jump from a 24Mp sensor to a 26Mp chip might not sound too impressive, the X-T3’s sensor is backside-illuminated. That means that photoreceptors (AKA pixels) nearer to the surface of the chip, which boosts their light gathering potential.
Thanks to the new sensor and processor combination, the X-T3 can shoot full-resolution images at up to 11fps with the mechanical shutter. This rises to 20fps when the electronic shutter is used. It’s also possible to apply a 1.25x crop and capture 16.6Mp images at up to 10, 20 or 30fps with the electronic shutter.
This new sensor is also paired with a new processing engine. It’s the 4th generation of Fuji’s X-Processor. Significantly, this enables a base sensitivity of ISO160, which on earlier X-Series camera is only available as an extension setting. It means the native range is now ISO 160-12,800. Meanwhile, expansion settings take the range to ISO 80-51,200.
Fujifilm also claims that the new engine along with a new algorithm, increases the maximum AF speed to 0.06sec, while the shooting interval is 0.17 and the shutter release lag is just 0.045sec.
Just how good is that AF system? The X-T3’s video features get most of the headlines, but Fujifilm has seriously upgraded the autofocus capabilities as well.
Firstly, the phase detection AF area now covers the whole imaging frame. Also, there are 2.16M phase detection pixels. These pixels combine to enable a total of up to 425 under-selectable AF points. These are arranged in a 17×25 grid. Alternatively, the number of points can be reduced to 117 in a 9×13 grid.
This means that when the smallest of the six AF area sizes in Single-point AF mode is selected, you can target the point of focus very precisely.
In addition, the sensitivity of the AF system has been improved. It can now operate at down to -3EV, instead of the -1EV of the X-T2.
Faster processing and a reworked AF algorithm mean that the X-T3 refocuses about 1.5x more often than the X-T2. That’s helpful for anyone shooting fast-moving sport as any movement is detected quicker.
The face-detection AF has also been improved and eye-detection AF operates in AF-C mode. That should make shooting portraits easier – especially in candid or social situations.
Fujifilm X-T3 Video
What’s more, video can be recorded in H.264/MPEG-4 AVC or H.265/HEVC. The bit rate can be set to 200Mbps for 4K/60P 4:2:0 10bit recording. The compression can be set to All-Intra (4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected. Not compatible with H.264.)or Long GOP (4K/29.97P, 25P, 24P or 23.98P). And when ALL-Intra is used the bitrate can be set to 400Mbps.
F-Log recording is also possible and can be used when recording video internally or externally. Fujifilm has also reduced the minimum sensitivity for shooting footage in F-Log and with the Dynamic Range (DR) set to 400% to ISO640.
Fujifilm claims that a new noise reduction process along with 4K Interframe Noise Reduction reduces the level of noise visible at ISO 12800 by around 2EV.
Best Fujifilm X-T3 Deals
Below are some of most current – and best – Fuji X-T3 deals being offered today from a wide range of retailers.