Which Fujifilm mirrorless camera to buy?
If you’ve decided to make the leap to mirrorless cameras, Fujifilm’s range of X-series cameras – as well as its medium format GFX line – should be among your considerations. Superb sensors, elegant retro design and beautiful image quality are all hallmarks of Fujifilm cameras. But which is the best Fujifilm camera for you?
In this guide we’ve rounded up the best Fujifilm cameras you can buy today for the different types of photography or video you want shoot, as well as the best prices.
Best Fujifilm camera for Video
- 4K @ 60p
- F-Log recording
- 10-bit recording
The X-T2 was a very successful camera for Fujifilm, so the company hasn’t messed with the winning formula for the X-T3. The things that everybody loves about the X-T2 are still there but there are lots of improvements.
Fujifilm has taken a big leap forward with video for the X-T3. The headline spec is 4K/60P 4:2:2 10bit recording to an HDMI device. However, there’s also 4K/60P 4:2:0 10bit internal recording to an SD card. It’s even possible to record both simultaneously.
What’s more, video can be recorded in H.264/MPEG-4 AVC or H.265/HEVC. The bit rate can be set to 200Mbps for 4K/60P 4:2:0 10bit recording. The compression can be set to All-Intra (4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected. Not compatible with H.264.)or Long GOP (4K/29.97P, 25P, 24P or 23.98P). And when ALL-Intra is used the bitrate can be set to 400Mbps.
F-Log recording is also possible and can be used when recording video internally or externally. Fuji’s has also reduced the minimum sensitivity for shooting footage in F-Log and with the Dynamic Range (DR) set to 400% ISO640.
Fujifilm claims that a new noise reduction process along with 4K Interframe Noise Reduction reduces the level of noise visible at ISO 12800 by around 2EV.
A firmware update towards the end of 2018 will also allow the X-T3 to shoot Hybrid Log Gamma (HLG) compatible footage.
- C4K video with F-Log and 200Mbps
- 5-axis image stabilisation built-in
- Superb viewfinder
The headline video features of the X-H1 are its C4K (4096×2160) and 200Mbps shooting capability long with F-log recording that operates when the footage is saved to an SD-type memory card.
There’s also a new ‘Eterna‘ Film Simulation mode that is intended for use in movie mode. This calibrates the camera to output footage that resembles the appearance of cinematic film, reining-in the colour saturation and delivering rich shadows.
Footage is 8-bit and has 4:2:0 colour when recording to a memory card or 4:2:2 when recording to an external device. Slow motion fans can shoot Full-HD footage at up to 120p.
The Dynamic Range setting for video can also be set to 400% and this is claimed to extend the range to 12EV.
An internal mic (24 bit/48 kHz) is provided but there’s a 3.5mm port to connect an external mic for sound recording. If you want to connect headphones, however, you’ll have to invest in the optional Vertical Power Boost grip VPB-XH1. This grip also extends the 4K video recording time to 30mins at a time.
Good news for multi-camera shooters is that the X-H1 has a Time Code option.
Best Fujifilm camera for street photography
- Fujinon 23mm f/2.0 (35mm equivalent)
- Optical viewfinder (OVF) and 0.48-inch 2,360,000-dot electronic viewfinder (EVF)
- Up to 325 AF points, 49 phase detection
The Fuji X100F is the fourth generation of the Fujifilm X100 line of APS-C format compact cameras. It has traditional exposure controls and a hybrid viewfinder that lets you choose between an electronic or optical system.
Like the previous X100 models the X100F has a Fujinon 23mm f/2.0 lens which produces an angle of view equivalent to a 35mm lens on a full-frame camera. As well as allowing fast shutter speeds the large aperture gives you tight control over depth of field and there’s a 3-stop ND filter built-in if you need it in bright conditions.
Fujifilm has given the X100F the same 24.3Mp X-Trans CMOS III sensor and X-Processor Pro processor as are found in the X-T2 and X-Pro2 and together with the lens they enable the camera to capture a high level of detail. Fuji’s Film Simulation modes are on hand to get jpeg images looking great and ready to share straight from the camera using the built-in Wi-Fi connectivity.
Best Fujifilm camera for weddings
- 8fps burst shooting
- Hybrid AF with up to 273 points
- Dual SD slots
The Fuji X-Pro2 is Fuji’s second rangefinder-style mirrorless system camera and it replaces the X-Pro1, joining the X-T1 at the top of the manufacturer’s camera line-up. It makes a host of improvements upon its predecessor including a new 24Mp sensor, enhanced autofocusing, a better hybrid viewfinder and a new controller for selecting the AF point.
Aside from easier AF point selection and an additional control dial, the X-Pro2’s handling is broadly similar to the X-Pro1’s and it’s designed to appeal to dedicated enthusiast photographers, having traditional exposure controls.
The AF system isn’t quite up to the standard of some competing cameras and the exposure compensation dial has a tendency to get knocked out of position, but the X-Pro2 produces attractive, high quality images.
But don’t take our word for it. Pro wedding photographers Dominique and Liam Shaw tell us:
Where the X-T1 would have been searching indefinitely for focus in the dark conditions of the dance floor, the X-Pro2 was locking on instantly… in fact it was locking on where even the Canon failed.
The astonishing refresh rate in burst mode meant that we could shoot multiple frames of particularly fast-moving dancing and still see everything unfold in real time, even allowing us to adjust our position to keep up with the action whilst the shutter continued to fire.
The joystick controlled focus positioning meant that we could incredibly quickly grab the focus of someone well in the background and take the shot without adjusting our composition. On the rare occasion that the camera struggled to lock on, turning on the peaking feature made manual focussing a breeze.
In short, this wasn’t just a camera ready to begin challenging a traditionally DSLR centred wedding industry; for us and our style of shooting it was already walking all over it.
Best Fujifilm camera for travel
- 4K video
- ISO 100 to 51,200
- 24.2MP APS-C sensor
The Fujifilm XF10 is a 24.2Mp APS-C format compact camera with a fixed focal length lens equivalent to 28mm. It’s incredibly compact for a camera with such a large sensor, but there’s no viewfinder built-in and the screen is fixed.
While it has a more plastic feel than other Fujifilm X-series cameras, it’s well built, can be slipped into a coat pocket and delivers high-quality images.
Thanks to its large sensor and high-quality lens, the XF10 is a very capable compact camera. Noise is controlled very well and images have lots of detail.
The wide aperture lens also allows you to control depth of field so you can have blurred backgrounds if you want them. At 28mm, the lens is wider than the most popular focal length for street photography (35mm) but it’s still very versatile. The closest focusing distance is 10cm, which give you extra creative scope.
Fujifilm has created an impressive camera that can fit in your coat pocket or handbag.
Best Fujifilm camera for landscapes and portraits
Fujifilm GFX 50S
- 51.4-megapixel sensor
- 14-bit raw files
- Tilting touchscreen
The medium format Fujifilm GFX 50S looks like a bigger version of the Fuji X-T3 with a similar control arrangement and menu, an electronic viewfinder in the middle of the top-plate and dual-tilting mechanism on the 3.2inch touch-screen. One significant departure, however, is the lack of an exposure compensation dial. Instead there’s a secondary LCD screen on the top-plate that shows key information including battery power.
There was a time when medium format cameras were commonly seen in the hands of amateur photographers. Because of the large imaging area the switch to digital technology, however, put their prices through the roof and they became the preserve of professional photographers. And while film medium format cameras were once popular with a wide variety of photographers, including wedding photographers, digital models were more likely to be seen in a studio.
Its larger sensor size means that the 51.4 million effective pixels on the GFX 50S’s sensor are significantly larger than those on the 50Mp Canon 5DS sensor. Consequently the photodiodes receive more light, helping to keep noise levels down and enabling them to detect a wider range light levels so that dynamic range is extended. In fact Fuji claims that the GFX 50S’ 14-bit raw files have a dynamic range of 14EV.
When you look at the images from the GFX 50S it becomes clear that you’re using a camera with a larger than average sensor. The results are superb with lots of sharp detail, noise is controlled very well throughout the native sensitivity range and subjects can be isolated very precisely through shallow depth of field.
Best Fujifilm camera for beginners
- High-quality viewfinder
- Attractive images
- Easy to use
Although it’s aimed at beginners the Fujifilm X-T100 has a nice solid build, a good quality viewfinder and a robust-feeling 3-way tilting screen. In fact, the build quality is so good, it doesn’t feel like an entry-level camera.
Inside it has a regular design 24Mp CMOS sensor rather than the X-Trans CMOS III design chip of X-series cameras further up the Fujifilm line, but it still delivers high-quality results.
You also get 11 of Fujifilm’s superb Film Simulation modes, Bluetooth and WiFi connectivity and a straightforward interface. We’re not fans of the power zoom of the XC15-45mmF3.5-5.6 OIS PZ kit lens, but on the whole, the X-T100 is a good choice for beginners.
The Fujifilm X-T100 looks and feels like the real deal. It has an excellent viewfinder and screen for an entry-level model and it delivers high-quality images. It’s a good camera for novice photographers. If you want a better AF system or more traditional controls, however, take a look at the X-T20 further up the Fujifilm line.